Thursday 30 November 2017

The White Skull Death Snakes Of Death!

Photo courtesy of Matt Clixby.

The flamboyantly named The White Skull Death Snakes Of Death formed in 2013 around a pre existing duo of Gareth 'Winty' Winterman (Guitar) and Dom Goodbarn (Drums), to them was added two brothers Anthony (Vocals) and Mat (bass) Thomas, the new four piece playing their first gig in December the same year. In 2016 they commented about a then up and coming gig at The Maze in Nottingham “We like playing loud, we like having a laugh. If you don’t enjoy either of those then perhaps we are not the band for you”!(1) I have to admit my own experience of seeing them live certainly bore out the first though I remember it as being pretty intense and dramatic rather than particularly amusing! (Though subsequent meetings have confirmed that they certainly do like having a laugh.)  

Every now and then you see/hear a band that you struggle to pigeonhole, Forward Russia, Gnod, bands that seem to have synthesised the component parts of rock in ways that are new to you or are constructing their art using slightly different resources, The White Skull Death Snakes Of Death fall into that category. Intrigued by the combination of name, sound and a stunning live set I contacted them to see if an interview was possible and that was how we came to be sat round a table in The King Billy just outside Nottingham city centre.   .   




How did the band come together? What was it that you formed around? Relationships, shared musical interests?

Gareth: Me and Dom starting doing stuff just as a two piece, drinking cans of beer and trying to make something really weird! We got one track down and that was when we realised we needed some lyrics aswell and got Anthony in to sing and then Mat came in on bass to add a bit of depth. And then we all started writing stuff together.
Dom: Everybody seemed to be on the same page.

So when did you get together?
Mat: I think it was summer 2013, I only know because I got one of those Facebook ‘This happened..’ pop ups about a year ago and I thought is it three years already!
Dom: And first gig was December 2013  

So how did the band’s name come about? Let’s be honest it’s a bit weird!
Mat: The name was there before the band was!
Gareth: It was a name that I already had in the sack, so when we started doing stuff I thought we’ll use that!
Dom: Rolls off the tongue quite easily as well haha!
Gareth: It takes up so much space on posters as well who’s not going to see it!

Has it led to any confusion, it sounds like you should be a spoof heavy metal band!?
Mat: We’re often taken to be a cod metal band…
Gareth: It’s because there’s ‘Death’ in the name twice…

So what sort of gigs do you pick up with a band name like The White Skull Death Snakes Of Death? Heavy metal gigs?
Anthony: We have done some metal gigs.
Gareth: We did an all dayer and we did stand out a fair bit, we’re not overly worried, if anything I like to go to a gig where there’s a range of bands, you get a bit fed up if you go to an all dayer and its all punk bands or all metal bands. I’ve had promoters say ‘You’re too different’ about us playing metal gigs

When I was listening to you online the other day I was thinking where do you place these in a record collection? You seem somewhere near Housewives but with off kilter bits of phrasing and structure in the vocals like Talking Heads-it seems like it has punk sensibilities but constructed using different resources.
Mat: I think it’s because we’re all bringing different things to the mix and I always think Anthony vocals are a bit Steve Albini, we’ve been compared to The Fall as well.
Anthony: Someone said we sound a bit like Christian Lunch who were a band on Alternative Tentacles, I think they did one EP in around 1982, its four tracks of brilliance and we sound like that!
Mat: Gareth’s got a lot of metal influences.
Dom: And there’s a few things that cross over.
Gareth: Yeah there are loads of bands that we all like...
Mat: And we’ve all got that 90s alternative rock grounding, Sonic Youth bands like that.
Dom: My tastes are quite diverse, rock, garage rock, Suckers, Helicopters.
Anthony: We’ve never discussed it, never said ‘We want to sound like...’
Mat: We’ve never sat down and said what’s our plan in terms of sound, it just sort of happened
Gareth: I’m always pushing to play faster and faster but it doesn’t really work, these guys just sit there for hours not really doing anything and we end up with another song with a bit of a swing in it!   

And who would you cite as influences in terms of performance-live you’re a pretty intense experience?
Anthony: Again there are influences, people like Biafra, Rollins early on in Black Flag, Albini. A bit of Iggy. Nick Cave even, with The Birthday Party.
Gareth: But when we first started we were really static, we were fairly new to it and a bit overwhelmed, we didn’t discuss it but we thought we’re going to have to throw ourselves about a bit.

When your writing your lyrics Anthony, are they based on personal experiences, or do you draw on other things like films and books?
Anthony: Mostly they’re drawn from current events, I try not to write from my own perspective but from a neutral standpoint, sometimes that might be a little bit wry or bleak.

Do you have a shared politics that you coalesce around? Or is there a diversity of views within the band?
Anthony: I think generally we’re the same...
Gareth: We’ve never really talked about it!
Mat: We’ve been brothers for years, we’ve known Winty for years, we’ve known Dom a couple of years now and we’ve never sat down and asked what is the politic of this band, but generally we don’t fall out over politics, we fall out over stupid things!

Right we’ll go through some tracks and you can tell us what they’re about!
‘Max’, there is a refrain that you repeat quite often and end with...
Anthony: “He is ready. He is prepared” It’s basically a story about an everyman bomber. The loner, it doesn’t matter what the beliefs are, the gender is, it’s about the motivations to do that, the mindset. “He is ready, he is prepared” to act whichever way he feels fit. About him being able to go out there and do this kind of nastiness. And the pattern, that it is usually a loner or a cell and the modus is that they act in the same way, that’s repeated.

‘Children of Edith’?
Anthony: Oh yeah, now that was strange! We did the music and I went away and did the words and between the two the Charlie Hebdo attack happened, so I kind of wrote it about that. And then some time later the Bataclan thing happened and it more fitted that. Again it’s looking at whats going on. The joke is I’m always writing about the news and I kind of am really! For me the boy/girl theme is redundant and a bit indulgent.

Presumably you have to have an inflow of information to have an outflow of lyrics because you're not evacuating you interior life?
Anthony: Yeah, continue consuming that media junk! I guess this is the first time these guys have heard what these songs are about-we don’t really talk about it.
Mat: We’ve got a song called ‘The Age’ and for a long time we thought he was singing ‘The Aids’!
Dom: It wasn’t till after a few gigs that I heard it as ‘The Age’!
Gareth: It reflects badly on us that we didn’t ask! We just thought ‘Oh he’s singing about Aids’.
Anthony: On a lighter note ‘Housewives Favourite’ takes a swipe at a certain type of man, usually middle aged, lothario. It came about because Dom was talking about ‘Lovejoy’, suavey, pervy, ‘loveable old rogue’.

Your going into the recording studio on the 18-19 December, will there be a physical release January/February?
Mat: We’re going to see what comes out of it and that will dictate what the running order will be and whether it will be two EPs or if it all hangs together quite nicely it could be an album.
Anthony: And we’re talking about getting some out of town gigs next year and maybe going on a little tour with hopefully some physical kind of merchandise.

Last question,what bands and writers have you been enjoying lately?
Dom: I’ve been reading a bit of H.P.Lovecraft. Music wise I’ve listening to a band called The Bronx.
Mat: I’ve been going through a bit of an Afro Funk stage, Congolese stuff. Also some old Garage stuff from the 70s.
Anthony: Reading, I tend to read a lot of nonfiction, at the moment I’m reading about the rise of the Prussian Empire. Music, there’s an American band called Flatworms who I really like, a band called The Lovely Eggs who are great.
Gareth: I’ve been reading technical manuals for work! And I’ve been listening to an American band, Drug Church.

Bibliography.
(1) http://www.themazerocks.com/gig/perennial-the-white-skull-death-snakes-of-death-lnc-more
Photo by Matt Clixby.

Friday 10 November 2017

Truth Equals Treason: "(Punk's) message should not be diluted, we need to be inclusive and open to new ideas or it's pointless"

Photo by Debra Wilson.

In his book  'Lipstick Traces' Greil Marcus connects Dadaism, the Situationists and early Punk as movements that creatively disrupted and exposed society as a construct (1), and in so doing pointed to the possibility of something better than what was. Punk has long been a contested art form struggled over by both those who see it as a DIY grassroots artistic expression of progressive politics that may or may not be musical and those who would reduce it to a musical style with associated fashion accessories. In a continued attempt to defang and domesticate punk the BBC recently commemorated 40 years since the release of never Mind the Bollocks Here’s The Sex Pistols by representing punk as a bygone historical movement, an interesting museum piece, references to ‘the punk era’ were common.

For those who consider punk as a DIY grassroots artistic expression of progressive politics there never was a punk era! For them punk is an ongoing vibrant voice of dissent, a problematic community that at its best offers a glimpse of solidarity, tolerance and alternative social relations. One of the bands who best express these aspects of punk are Lincoln based Truth Equals Treason, at present a three piece, who formed in 2015 and released an EP It’s Got a Photo of Thatcher, Must be as Punk as Fuck early this year. Having seen them deliver an astounding set of well structured, danceable, riotous, compassionate, political songs at a weekender in Nottingham recently I contacted them for an interview.  


I caught you at a Punk 4 The Homeless gig and was blown away!! Could you give us an overview of Truth Equals Treason? How did you meet? When did you start?
Jam: 3-piece punk band from the Lincoln area - used to be a 4-piece, but we recently mislaid our original guitarist in bizarre circumstances... Alan, Glen and Jackson had started a band in 2015 called 'T.W.O.C.', but needed a bassist, so I volunteered (even though I hadn't played bass in a band since 1985...) and the rest is history - started as the embryonic T=T in August 2015; played our first gig in February 2016; became a 3-piece in August 2017...

Alan: I was only 16 when the band first started - I was in a bar with my dad when we met Jackson, and he introduced me to Glen. We used to practice in my front room to begin with - our first song was a cover of 'Taken by surprise' by Poison Idea!

Glen: Yeah, I was asked by Alan and our old guitarist Jackson to come and have a cider-fuelled jam-session round at Alan's house back in 2015. We tried a couple of cover versions ('Scarred for life' by Scottish band Last Rites and 'Taken by surprise' by Poison Idea) and also had a half-formed song or two knocking about from mine & Jackson's previous band that we kicked into shape. Rehearsals were chaotic to say the least - vast amounts of booze was consumed and local lads and lasses wandered in and out all the time...

Great band name, how did that come about?
Jam: After I joined, we decided to change the band name from T.W.O.C. to 'Death Rattle', but that lasted less than a month before we had a rethink - I came up with 'Truth Is Treason' (inspired by cases like Bradley/Chelsea Manning, Edward Snowden, etc. and the state/media reaction to them), but after a week we realised it had an unfortunate acronym, so TIT became TET...

Glen: Hahaha - I have no recollection of the Death Rattle thing at all! T.W.O.C. was bandied about for way longer than was sensible until Jam came up with Truth Equals Treason - it suits us.

Your set was really well delivered at The Doghouse despite being down a guitarist! I guess you’ve been in bands before Truth Equals Treason?
Jam: Thank you very much - it was our first outing as a 3-piece, so it was a little nerve-wracking waiting to see if me switching to guitar & simulating a bass sound by means of electrickery would actually work out OK on stage (we'd only had two practices up to that point...), but by all accounts we pulled it off! As for other bands, I've been playing about with various outfits in and around Lincoln since about 1981, but it's very unlikely you'd ever have heard of any of them, although some did at least make it as far as playing live (Cri de Coeur (recently reformed...), Doctor Rat and Shanarchy).

Glen: I'd never been in a band 'til RatRaven - a band I'd played with the year before T=T with my good mates Whaler, Jacko, Nugs and Black Metal Adam. It was shambolic at best but we did put out a track on a great comp 7”, so all the 9% lager and fallings-out were kind of worth it...

Alan: I hadn't had much band experience, but I was studying at Access To Music and had a little band there. It wasn't long after I began college that I started with Truth Equals Treason and now also play for Cri de Coeur.

Who would you admit to you as musical influences?!
Jam: I've never been able to pin down whether I'm influenced by other bands when I'm writing or playing or not, but I've always loved Crass, Dead Kennedys, Discharge, Subhumans, etc.

Glen: Bands that got me into music and I love - it all started with Bay City Rollers and the Wombles... At 8 years old I started going to record shops - I bought Madness, Undertones, The Jam, Clash, The Police and all the classics of the time! Later I got into electro and early hip hop, then a friend (who later became a Nazi) introduced me to basic punk. Dead Kennedys blew me away. Round about the same time, I saw The Exploited on TOTP - my dad weren't keen... In about the mid '80s I started to listen to John Peel and it all kicked off - Chaos UK, ENT, Napalm Death, Ripcord, Electro Hippies plus all the Yank core: DRI, MDC, JFA, Septic Death - I spent a ton on imports. The anarcho sentiments of Crass, etc. strongly influenced my thinking, but I was swept away with the harder and faster choonage. Saying that, I was also listening to metal, industrial, hip hop, reggae etc. These days I listen to h/c punk, metal, hip hop and jungle mostly, but I love old skool London music like Johnny Moped and Chas & Dave - working class music with heart, innit...?

Alan: When I was 14, my dad bought me a drum kit and I taught myself to play by listening to music on my headphones. I would say I have been influenced by bands like Stiff Little Fingers, The Clash, and The Exploited.

Who would you not admit to?!
Jam: I'm rather partial to a bit of Slade and have an enduring love of Blondie, but I don't see too much of them in our sound (although Glen might look good in a big sparkly hat...)!

Glen: Well... I love good pop - Kylie, Adele, Manics, Dolly Parton, Tom Jones, Amy Winehouse... There's not much I wouldn't admit to liking - I have little in the way of shame!

Did you have a fairly clear idea of the sound you were aiming for from the start or has it evolved? Where are you in the punk spectrum?
Jam: As the 'new boy', I just went along with the flow to begin with, so it's probably fair to say that the first songs had more of a metal influence courtesy of the then-guitarist. As things have developed, though, we've moved away from that somewhat and I personally think we're probably tending towards more of an anarcho punk feel now (which covers a great many styles and neatly dodges the question!). A couple of people have described us as 'anarcho street punk', but they were drunk at the time!

Alan: When we first started I believe we were looking to do something Discharge-sounding or The Exploited, but it didn't seem to go to plan...

Glen: Hahaha! I'm in a band whose music I would listen to myself. I've always wanted it to be hard-edged music with heartfelt progressive lyrics. The punk spectrum is big these days and as long as we're not playing with braindead fence-sitters or stagnant '77ers I'm normally happy... I do like to see diverse line-ups (grind, HC, etc.) - it brings people and our ideas together. Mates of ours like Sods Law, The Domestics, Kill Bitches To Dress Foxes, White Skull Death Snakes Of Death, The Rioters, Paul Carbuncle, Nieviem and more, I see as our peers - that's our present spectrum and it suits. We've played with folk punk through to grindcore bands - they were all punks.

I noticed that you are donating all profits from your latest track ‘Through the Cracks’ to Punk 4 The Homeless, the lyrics seemed really empathetic,
‘Spend all day just traipsing the street.
Numb inside, life on your feet.
Alley for a house, step for a seat.
Stark, cold living death - bricks & concrete.
Scrounger, parasite.
Out of sight, out of mind.
Believe the lies - demonise.
Never want to sympathise.
Spend every day in a world not fair.
Pass every day in a living nightmare.
You gotta fight for the meagrest share.
See the people round here, they do not care.'
Is this an issue that particularly troubles you?
Jam: I think it's fucking shocking! People have signed up to the lies trotted out to them by the Tories and right-wing media and swallowed the 'austerity agenda' hook, line and sinker (the 'I'm all right, Jack' mentality always prevails when the Tories are in power). Unfortunately, the people who fall 'through the cracks' are increasingly fucked as mental-health care, social services and safety nets are eroded and they're left to fend for themselves. For one of the richest countries on the planet, the state we're in is an absolute disgrace, and it's all down to ideological dogma!

Glen: If we're not looking out for those at the butt-end then what are we? Our home city is particularly bad at the minute - all funding for homeless people has been stripped and I hear a lot of victim-blaming. One of the biggest issues we have is with the legal highs - it's terrible from what I've seen. People shuffling, underweight, often convulsing on the floor. What are people escaping from now? It's heartbreaking to see. We live in a country with hundreds of thousands of empty houses - they should be homes not investments for the rich.

You released a 5 track EP It’s Got a Photo of Thatcher, Must be as Punk as Fuck in January, could you talk us through the subjects you engage with in it?
Jam: Mainstream media manipulation and false news; dead-end jobs, wage-slavery, erosion of workers' rights; the plight of refugees and immigrants; the negative effect of religion; reality TV, exploitation of the needy and dispossessed, vilification of the poor, and back full-circle to mainstream media manipulation... Essentially modern life in microcosm, sadly. The title might also be a little dig at lazy 'dad-punk' that sometimes appears to think that wearing a pair of bondage trousers, surrounding yourself with the tired iconography of 35-40 years ago, and singing about puking your guts up after 20 pints and a kebab is all that punk's about... I mean, I'm a fully-paid-up old fart myself, and we all wallow in nostalgia at times, but c'mon - punk used to shake the foundations of society for fuck's sake! There are still plenty of battles to be fought here and now to try to make the world a slightly better place, so let's have it!

What resources do you draw on in your lyric writing? Personal experiences, other sources like films and books?
Jam: For me, my songs are usually based on politics (local, national, international and personal) and current affairs, with personal insights if I've been affected/involved by either.

Glen: It depends really, it can be different with each song. A song like 'Fuck off back to Eton' can be seen as flippant and knee-jerk, but it comes from a serious place - sometimes I'm adding the politics to the personal experience sometimes vice versa. I really haven't been putting pen to paper very long, but I've been ranting all my life so it comes naturally - hahaha!

How does the creative process work in T=T? Is there one main songwriter or is it very collaborative?
Jam: I come up with the music these days, with the lyrics usually coming from Glen, although a few of my little ditties will probably make an appearance in due course (I'm not a vocalist, though, so my lyrics tend not to take into account minor things like breathing, being able to remember fourteen verses, etc.!). Once I demo a new tune, it's then a collaborative process sorting out arrangements, etc. - Alan's got a good ear for song structure, and the song usually evolves fairly quickly from that point, although we've had to take a couple of months off from song-writing recently to adapt to our changed line-up. We're firing on all cylinders again now though, and plan on getting back into the studio in the new year to record our next EP.

Glen: The creative process has been fairly organic up 'til now - Jam has a decent bank of riffs and our Alan is a powerhouse on drums as you know. We've had to adapt slightly now we're a 3-piece but it's still flowing, although we don't set out to write songs to any deadline. Jam's lyrics are a bit more cerebral and wordier than my own, but I like that mix, it works for us!

What is the music scene like around Lincoln? Are there plenty of opportunities for bands to play?
Jam: In spite of a shortage of good venues, there seems to be a bit of a punky resurgence in Lincoln at the moment with fairly regular gigs and quite a few good bands on the go - Mothcob, Nieviem, Boycott The Baptist, Throatpunch, SkinLover and others I've probably forgotten, sorry! Having said that though, in the two years that we've been going, we've only actually played our 'home-town' once, so we're possibly not the best band to ask...

Glen: Pretty healthy tbf! We get on quite well with all the lads and lasses involved with the Lincoln scene and it's been brilliant to hear how we've all progressed over the past couple of years. Me and Jam are like the elder statesmen obviously (well, we're old!) - not that the rest of the little fuckers would ever listen to us...

Alan: Not the best place for live music, not enough places have live bands.

How would you say the DIY punk scene is doing more generally, is it in a healthy state?
Jam: It seems in fairly good health, although getting people off their arses and out to gigs (or actually in to watch the bands instead of standing outside with their mates having a fag...) is an age-old problem. We've done DIY gigs in Bradford, Derby, Grimsby, Lincoln, Norwich, Nottingham, Manchester, Peterborough, Sheffield, Wellingborough, and usually found the events well organised, so there are still a lot of committed folks out there keeping the flag flying.

Glen: The enthusiasm from promoters is definitely there, but it seems to be hit-or-miss with the punters. Not to say all gigs are under-attended, but it seems you need a 'big name' draw to get a crowd sometimes...

Capitalism tries to create a sense of anxiety and insecurity, tries to get us to root our sense of self in consumption. Do you find the punk community and exploring your creativity helps in resisting those pressures to conform and consume?
Jam: I haven't felt any pressure to conform for about 30-35 years - I am what I am, and if people don't like it, they can go fuck themselves... (I'm quite the diplomat, as you can see!). Also, I don't know if there is a single punk 'community', to be honest - some of the people who call themselves punks should be ashamed of what they've become, in my humble opinion. Seeing people who've grown up listening to the same music and messages I have, but obviously haven't understood a single fucking word makes me weep! 'Punks' slagging off 'foreigners', minorities, 'benefit scroungers', LGBT+ people, women, even tattooed/pierced folks, veggies/vegans, etc. - what the fuck is that all about?! And at the same time, these cunts are often waving the flag, proclaiming their devotion to 'our troops' and licking the arse of Farage, Britain First and the like! I saw a snarky comment a bit back when Trump was elected, saying something like, “watch all the anti-establishment punk bands now trying to find words that rhyme with 'Trump'”. My question there is, what the fuck is an ESTABLISHMENT punk band...?! So to be honest, half the time I find the 'punk community' more of a frustration than a comfort, but I've always been an awkward sod - hahaha! As for capitalism, well sadly it's unavoidable in the world we live in - like it or not, we're all consumers, but you CAN minimise your participation in the whole rotten system if you want to: choose ethical companies where you can (or more ethical, at least...); don't rip people off for a fast buck; don't be daft enough to believe that the latest expensive shiny gadget will make you any happier; if you have the choice, don't work for or trade with wankers; do-it-yourself wherever you can, etc., etc. As Flux said all those years ago, “Strive to survive causing the least suffering possible” - that will be different for every single one of us, but at least it's a start...

Glen: We still have to operate within the neoliberal capitalist system, but we can as punks only try to be fair and try to exploit those around us as little as possible. Punk as an identity and philosophy is important to me - whether punk is affecting much in the way of change globally, I don't know, but things like P4TH give me hope. We cannot afford to stagnate. Our message should not be diluted, we need to be inclusive and open to new ideas or it's pointless - it's good to see the new blood involved, they should be taking it to the next level! In my opinion, the 'non-political' punk scene is often just Bernard Manning playing bad heavy metal really, but there's a lot of it about!

How has your politics developed? What were the influences? Where would you place yourselves politically or is it a continual evolving of thought?
Jam: Ideologically, I've always considered myself to be an anarchist (anarcho-syndicalist, if we're splitting hairs; which anarchists inevitably always do...). Having said that, I'm also a pragmatist, and acknowledge that as a far-distant goal rather than any sort of immediate reality, so in 'traditional' political terms I'd probably have to describe myself as a socialist. It's something that you continually re-evaluate in response to changing events (even just getting older), but in the face of the damage caused to people and the planet by the greed & selfishness inherent in capitalism, 'neoliberalism', 'neo-conservatism' and the like, I'm still firm in my beliefs that no matter the political system, we need to work together for the benefit of every member of society, not just allow a privileged minority to flourish while the rest of us drown in shit.

Glen: I'm a socialist with anarchist tendencies. My politics have become cemented over the years through life experience, union work, travelling and reading. I volunteer when I can in the community and I'm on the parish council, which raises the odd eyebrow, but fuck it! Think globally, act locally - amirite?

What are your plans for 2017 - will you be out gigging a lot, do you have more any planned releases?
Jam: We have a couple of gigs on the cards for the remainder of 2017 and several already confirmed for the first half of 2018, but we're always up for more, so get in touch, people! Hopefully we're recording again in January, with another EP in the works, which with luck will be released early next year.

Glen: Nothing to add really, just to say it's been a brilliant trip so far!

What bands and writers have you been enjoying lately?
Jam: I've been reading war poems by Wilfred Owen and Siegfried Sassoon recently, as well as starting the first book of Sassoon's 'fictionalised autobiography', the 'Sherston Trilogy' (the ruling class doesn't change its stripes much...). Music-wise, in the past year I've bought new stuff by Active Slaughter, Armoured Flu Unit, Healer of Bastards, Nieviem, Oi Polloi, Shot!, Steve Ignorant/Paranoid Visions, The Domestics, The System, as well as catching up on stuff by Witch Hunt, Resist, Ação Direta and discovering Verdun, a sadly now-defunct French anarcho band.

Glen: Bands I'm currently enjoying are Sods Law, The Domestics, Nieviem, Anti-System, Bratakus, Doom, Bring the Drones; also I've been revisiting some old thrash metal (Kreator, Sodom, Death Angel, Hirax, Toxic Holocaust) and '80s British HC (Napalm Death, Hellbastard, Ripcord, Heresy) - I love the rawness of that era's music. I've also been listening to Sleaford Mods, Idles, Wonk Unit, Scroobius Pip, Lovely Eggs, Hygiene, Good Throb, Hard Left, Shandy, & Hard Wax. On top of all that, two bands that have impressed me with comeback albums recently are Wu-Tang Clan and Iron Monkey... Book-wise, I've just finished a great book on skiffle by Billy Bragg called 'Roots, Radicals and Rockers: How Skiffle Changed The World'; also John Lydon's autobiography, the NOFX autobiography ('The Hepatitis Bathtub and Other Stories'), a book on social mobility and class by Dr Lisa McKenzie whose title escapes me because I left it  in a caravan in France, Maximum Rocknroll and Ripping thrash zines, and the newly re-energised Class War insanity! Oh, and Elvis Costello's autobiography which was the beige-est book I've ever read...

Alan: I have been enjoying Burning Flag, Sods Law and Nieviem. I don't really read books, though, so don't have a favourite...

Jam: And on that note...

Glen: Thanks to Tim for the interview - we appreciate it a lot. See ya soon!


Bibliography.
Marcus, G. (2011) 'Lipstick Traces: A Secret History of the Twentieth Century', Faber and Faber, London.